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用英语学《邓小平文选》(3) (2人在浏览)

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THE PRINCIPLES, TASKS AND ORIENTATION FOR
CULTURAL WORK IN THE 129TH DIVISION
May 1941



I shall discuss three questions.

1. Cultural work as it serves the political mission.

All forces and groups subordinate their cultural work to their political mission.

In the political, military and economic fields in present-day China, three different forces exist: the anti-Japanese democrats; the Japanese aggressors, Chinese collaborators and pro-Japanese elements; and the anti-Communist diehards among the big landlords and the big bourgeoisie. The struggle among the three forces is acutely manifested in the cultural field. Every force's cultural work is closely linked to its political mission; there is no such thing as culture which transcends politics.

1) The political aim of the Japanese imperialists, Chinese collaborators and pro-Japanese elements is to turn China into a Japanese imperialists' colony. In their cultural work they are pursuing a policy of enslavement, trying to extinguish our national consciousness, patriotism and integrity by enslaving us through education and other activities. They are destroying China's cultural institutions, burning Chinese books and records, killing or imprisoning patriotic men of letters, intellectuals, students and youths, establishing cultural institutions of Chinese collaborators, grooming men of letters among them, preaching Japanese culture, instilling the Chinese people with ideas of "Sino-Japanese goodwill", "coexistence and co-prosperity" and "a new order in East Asia", and training the Chinese to be a slavish people. They advocate outdated culture, ethics and social systems, encourage people to restore the ancient ways, and to be superstitious, blindly obedient, and backward, and establish feudal and superstitious organizations to aid in their sinister policies of enslaving the people and poisoning their minds. They are also creating and spreading rumors, inducing defeatist sentiments, pursuing a policy of mollification and denouncing our anti-Japanese laws and orders, in an attempt to destroy our anti-Japanese base areas.

2) Politically, the anti-Communist diehards among the big landlords and big bourgeoisie are not resolute and possess a dual character in the fight against Japan. Culturally, they advocate the old comprador feudal culture. They are subservient to foreign countries, compromising with them and surrendering to them, and practise feudalism at home. They advocate old ideas, social systems and ethics, respecting Confucianism, restoring ancient ways, preserving the "quintessence" of Chinese culture and saving the nation by means of the classics. They suppress the new cultural movement, trample on new cultural undertakings, close progressive bookstores, prohibit the sale of progressive books, newspapers and periodicals, stifle anti-Japanese opinions and repress or ban people's anti-imperialist movements. They oppose communism, purge those who hold different views, hinder progress and favor retrogression. They establish feudal and superstitious organizations, shatter the morale of anti-Japanese armed forces, and undermine anti-Japanese governments and base areas. They also sing the praises of autocracy, oppose democracy and encourage people to "abide by state laws" in an attempt to trample upon them at will.

We are firmly opposed to this old comprador feudal culture, a culture that serves to help the Japanese imperialists implement their policy of enslavement and seriously endangers the future of the Chinese nation.

3) Politically, the anti-Japanese democrats stand for uniting to fight against the Japanese aggressors to the end, thoroughly emancipating the Chinese nation and establishing a new democratic republic. Culturally, they advocate a new-democratic culture-a culture for the liberation of the Chinese nation. What is the nature of new-democratic culture? As Comrade Luo Fu puts it:

"It is national in that its first priority is resistance to Japanese aggression. It opposes imperialism and the suppression of one nation by another; it stands for national independence and liberation; it inspires national self-confidence and provides people with precise knowledge of the reality and characteristics of the nation.

"It is democratic in that it opposes feudalism, autocracy and the ideologies and social systems that are designed to suppress the freedom of the people, and it stands for democratic freedom, politics, activities and work style;

"It is scientific in that it opposes arbitrariness, superstition and ignorance, supports scientific truth, taking truth as the guide for practice, and urges people to genuinely master scientific truth, acquire a scientific ideology and learn to live and work in a scientific way:

"It is of the masses in that it opposes the culture of the small number of privileged aristocrats who oppress and exploit the majority of the people and fool and deceive them, landing them in perpetual darkness and misery; it represents the interests of the majority of the people; it advocates the possession of culture by the masses, the popularization of culture among the common people and the raising of their cultural standards."

We are the ones who propagate and introduce the new-democratic culture. We resolutely oppose colonial culture and comprador feudal culture and are working to achieve the political goals of New Democracy.

2. The principles, tasks and orientation for cultural work in our division.

Cultural work is part of the political work in the army. What are the principles and tasks for our political work? According to the "Regulations Concerning Political Work (Draft)" promulgated by the General Political Department of the Eighth Route Army, "During the War of Resistance Against Japan the basic tasks of political work for the Eighteenth Group Army are to increase the army's combat effectiveness, work for unity between officers and men and between armymen and civilians, unite with friendly forces and disintegrate the enemy, in order to achieve final victory in the war." All this applies to our cultural work. Specifically, the principles and tasks for cultural work are as follows:

1) To intensify the struggle against the enemy in the cultural field and launch fierce ideological warfare against the enemy. We must constantly monitor and analyze what the enemy is doing, and promptly and unremittingly refute him in a political offensive.

2) To improve propaganda and education in national patriotism. Whether it is our army, friendly forces, people in base areas or in enemy-occupied areas, or puppet troops, we must instil national patriotism, self-confidence and self-respect in them, and be always ready to scathingly denounce the enemy's policy of enslavement. It is even more important to arouse people's national integrity, oppose vacillation and treason, heighten their courage to fight the enemy and foster their confidence in victory.

3) To publicize the policies and positions of the Communist Party, explain laws and decrees for resistance, practise democratic politics jointly with local Party organizations, government organs, mass organizations and local cultural institutions, and keep the people in enemy-occupied areas informed of all the benevolent policies and progressive measures in the base areas.

4) To promote science and disseminate truth, oppose ignorance, superstition and backwardness, and exert great efforts to propagate Marxism-Leninism. This is important both to the masses and to the army. It is particularly necessary for the army to acquire more general and scientific knowledge so as to enable the officers an men to master science and create a modern, regular army.

5) To become one with the people, as inseparable as flesh and blood. We must understand the people's problems and help solve them, help local authorities conduct cultural and eduvational work, and arouse the enthusiasm of officers and men for cultural and propaganda work so that they will become disseminators and organizers for New Democracy. Propaganda and education departments should co-operate with united front departments in united front work in the cultural field.

6) To do everything possible and use the best possible means to supply friendly armies with cultural nourishment, i.e., books, newspapers and other propaganda material. We should arrange mutual visits so as to learn from each other, harmonize our relations with them and make friends with them.

7) To improve our external propaganda work, introducing to the international community, overseas Chinese and people in the great rear area our actual military life through literary and artistic works, reportage, news releases, photographs and paintings.

Since the beginning of the anti-Japanese war, our cultural workers in the army have helped raise the political and educational level of our troops, laying a basic foundation for our cultural and artistic work. However, there is still something more to be desired in this work, which is inevitable. Discovering the shortcomings is the beginning of overcoming them. These shortcomings are:

1) "They have neither conducted adequate in-depth research nor deeply involved themselves with the masses," a sentence in the editorial of the north China edition of Xinhua Daily, published on May 3, 15 that truly portrayed our shortcomings. Our cultural workers have not done enough in-depth research, not to mention making their work acceptable to people at the grass-roots level. All this is manifested in the lack of cultural and propaganda work among the masses and the lax work, as well as dull cultural and recreational activities, of the national salvation associations at the level of company. Every cultural worker should pay attention to this. We should combine popularization of cultural work with in-depth research in this regard.

2) Our propaganda fails to promptly reflect and publicize certain urgent tasks and refute what the enemy alleges. Plays, for example, are generally about the past. As a result, our cultural and propaganda work does not accord with the current situation or serve as an effective weapon against the enemy. Some of our works may be a bit too roughly written since we want to be timely, but they serve the purpose as far as the propaganda effect is concerned.

3) Some of our works lack real content, vivid artistry and a sharp sense of politics. Some even contravene our political principles, playing an undesirable role. The forms of propaganda being used are not popular enough and, therefore, are not always familiar or loved by the masses. People in this field of work have failed to portray political content in diversified ways, and sometimes they are incompetent in depicting rapidly changing realities. Forms of propaganda should be improved in two directions. On the one hand, they should be more complex and elegant. On the other hand, they should be more simple and popular. It is also necessary to put new content into old forms, because the old forms are deep-rooted and loved by the masses and are, therefore, worth adopting. However, a critical and selective approach should be adopted in using them, depending on how well they can help portray reality.

4) We have neither given full scope to the creativity of cultural workers nor done enough to train potential cultural workers. As a result, the army has been short of cultural cadres, which has adversely affected the cultural and propaganda work among the troops.

5) External propaganda work is very weak, putting us in a grave situation in which we are fighting a war unknown to the outside world. We have failed to keep the outside world constantly informed of our military life via all available means. Although we have war correspondents, most of them have to serve as editors at the same time, with little time left to gather news. Our political organs have failed to give adequate guidance in this respect, which constitutes another reason for the weakness of our external propaganda work. From now on, war correspondents, and writers and artists teams and political organs of brigades should redouble their efforts to remedy defects in their external propaganda work, and all comrades in this division should help improve the work.

The main cause for these shortcomings is the political departments at various levels lack an adequate understanding of the importance and character of cultural work and have failed to give competent guidance. Some units have not paid enough attention to the working conditions of cultural workers or given full play to their talents. In addition, they have not tried to recruit as many intellectuals as possible. Cultural workers, on their part, have not kept in close touch with the masses and they lack experience in working both in the army and among the masses. As a result, they confine their work to a narrow perspective, beyond the reach of the masses.

How should cultural work be carried out in the army in future? Since I have not studied in the question thoroughly, I shall offer only the following suggestions:

1) We should combat all tendencies to belittle cultural work and should try to make cultural work popular. We should constantly arouse the enthusiasm of cultural worker and take full advantage of their initiative and creativity, so as to promote the cultural movement among the troops and the masses.

2) We should train a large number of young cultural workers and, at the same time, help the existing workers achieve progress. We should see to it that they become better qualified in literary and artistic work and pay more attention to the study of political affairs, provide them with all possible and necessary working conditions, encourage them to delve into reality at the grass-roots level and display their talents to the full-all for the purpose of enabling them to shoulder the responsibilities of organizing and guiding the cultural movement in the army.

3) Cultural workers should constantly cultivate themselves in the political, literary and artistic fields of endeavor and temper themselves in practical work so as to improve and enrich themselves. They should understand clearly that only by enhancing their political understanding can they increase their enthusiasm and creativity for cultural work, and only artistic works that have a profoundly political content and are vividly realistic are of high artistic value. Cultural workers should both improve their writing techniques and work among the people if they want to create works that portray real life in the army and base areas and meet actual needs. Self-improvement and spread of culture require a close link between politics and culture.

4) Cultural workers should be open-minded in learning and serious in discussing issues. They should present their works to the people for their comments. The objective world keeps developing from day to day. In order to do a better job, one has to study; in order to learn something, one has to be open-minded. A person who is not open-minded will accomplish nothing. Discussion with others is a good way to pool collective wisdom. Study and discussion can serve to remove the defects in a work, perfecting it and making it produce better results. One can make progress only if one accepts opinions from others. In general, our current cultural workers have just learned the rudiments of their work. They will accomplish much if they learn with an open mind.

3. The work of propaganda teams.

Propaganda teams are the basic units engaged in cultural work in the army. It is absolutely necessary for them to try hard to improve their ability, acquire more knowledge, and help spread cultural activities. Members of the teams should become competent cadres in cultural and educational work, and the teams should become the vanguard of the new-democratic revolution.

Propaganda teams constitute the schools for training cadres, not only for cultural work, but also for political work. When transferring cadres of propaganda teams to other posts or promoting them, leading organs should take the work of the teams concerned into consideration, refraining from leaving the teams with no cadres at all. Tram leaders, on their part, should be willing to let their cadres improve themselves at other posts. In short, everybody should take the overall interest into account.

In the future, propaganda teams should accomplish the following tasks under the leadership of propaganda and education departments of political organs.

1) Organize cultural and recreational activities in the army, help political departments check on political work among the troops, and help propaganda and education departments check on their work among the troops. In order to gear their work to the needs of the troops, they should become deeply involved with soldiers, so as to understand them and also temper themselves in practical work.

2) Conduct ceaseless propaganda and agitation under all circumstances during wartime.

3) Urge and help the troops to conduct ceaseless propaganda and agitation among the masses.

4) Keep in close touch with local cultural workers and primary school teachers, in order to establish a broad cultural united front and help advance local cultural movement.

5) Study hard to raise their own political and educational level, increase their working ability and acquire more knowledge.

(Excerpt from a speech made for the preliminary model propaganda team competition in the 129th Division of the Eighth Route Army. The speech was carried in issue No. 26 of the Anti-Japanese Front, published by the Political Department of the 129th Division on June 16, 1941.)
 
一二九师文化工作的方针任务及其努力方向


(一九四一年五月)

  我讲三个问题。
  一、文化工作服从于政治任务。无论哪一种势力或哪一种派别的文化工作,都是服从其政治任务的。
  今天的中国,不管在政治上、军事上和经济上,都存在着三种不同的势力,即抗战民主派,日寇、汉奸、亲日派,和大地主大资产阶级的××顽固派。这三种势力的斗争,也尖锐地表现在文化领域。各种势力的文化工作都是与其政治任务密切联系着的,所谓超政治的文化是不存在的。
  (一)日本帝国主义和汉奸亲日派的政治目的是要把中国变为日本帝国主义的殖民地,其文化工作方针是施行奴化政策,以奴化活动和奴化教育来腐蚀我们的民族意识,消灭民族爱国思想,摧残民族气节。他们毁灭中国的文化机关,焚毁中
  国的民族典籍,屠杀与监禁爱国的文化人、知识分子和青年学生,建立汉奸文化机关,豢养一批汉奸文人,鼓吹东洋文化,灌输“中日亲善”、“共存共荣”、“东亚新秩序”等奴化思想,培养奴化人才。他们提倡旧文化、旧道德、旧制度,提倡复古、迷信、盲从、落后,组织封建迷信团体等,以实施其诲淫诲盗、毒化奴化政策。他们还制造谣诼流言,散布失败情绪,推行怀柔政策,破坏我抗战法令,妄图摧毁我抗日根据地。
  敌人文化侵略的方法是多样的,其特点是善于迎合落后群众与农民的心理,善于以数量掩盖其质量上的(即政治上的)基本弱点,善于不厌其烦地重复宣传某几个中心口号,善于利用时机,抓住某些具体问题来进行欺骗宣传。我们应足够估计其危险性和毒辣性,与敌展开激烈的思想战是今天的严重任务。
  (二)大地主大资产阶级的××顽固派,在政治上具有抗日的不彻底性和两面性,在文化上鼓吹买办性的封建主义旧文化。××顽固派对外奴颜婢膝,投降妥协,对内搞封建主义。他们提倡旧思想、旧制度、旧道德,主张尊孔、复古,保存“国粹”,读经救国。压制新文化运动,摧残新文化事业,封闭进步书店,禁售进步书籍报刊,压制抗日言论,镇压与取缔人民的反帝运动。宣传××,排除异己,反对进步,鼓励倒退。组织封建迷信团体,破坏抗日军队、抗日政府和抗日根据地。颂扬独裁政治,反对民主政治,宣传“安分守纪”、“严守国法”,使人民任其宰割。
  这种买办性的封建主义旧文化,对日本帝国主义的奴化政策起了帮助的作用,对民族前途危害至大,我们是坚决反对的。
  (三)抗战民主派,在政治上主张团结抗战到底,彻底解放中华民族,建立新民主主义共和国;在文化上主张新民主主义的文化,中华民族解放的文化。什么是新民主主义的文化呢?洛甫同志说,新民主主义是:“民族的,即抗日第一,反帝、反抗民族压迫,主张民族独立与解放,提倡民族的自信心,正确把握民族的实际与特点的文化;“民主的,即反封建、反专制、反独裁、反压迫人民自由的思想习惯与制度,主张民主自由、民主政治、民主生活与民主作风的文化;“科学的,即反对武断、迷信、愚昧、无知,拥护科学真理,把真理当作自己实践的指南,提倡真能把握真理的科学与科学的思想,养成科学的生活与科学的工作方法的文化;“大众的,即反对拥护少数特权者压迫剥削大多数人、愚弄欺骗大多数人、使大多数人永远陷于黑暗与痛苦的贵族的特权者的文化,而主张代表大多数人民利益的、大众的、平民的文化,主张文化为大众所有,主张文化普及于大众而又提高大众。”我们就是新民主主义文化的传播者与实行者。我们坚决反对殖民地文化,反对买办性的封建主义文化,而为新民主主义的政治目的服务。
  二、本师文化工作的方针、任务及其努力方向。部队的文化工作是政治工作的一部分。我们政治工作的方针和任务是什么呢?就是总政治部颁布的《政治工作条例(草案)》中指出的:“在抗日战争中,第十八集团军政治工作的基本内容是提高军队的战斗力,求得官兵一致,军民一致,团结友军,瓦解敌军,以争取抗日战争的最后胜利。”这同时也是文化工作的方针和任务。其具体内容应该是:
  (一)加强对敌的文化斗争,展开激烈的思想战。要经常地了解与研究敌人,及时地不懈地驳斥敌人,开展我们的政治攻势。
  (二)加强民族的爱国的宣传教育。无论对本军、友军,根据地和敌占区的人民,以及伪军,都需要灌输以民族的爱国的思想,提高其民族自信心与自尊心,随时给敌人的奴化政策以有效的打击。更要激励民族气节,反对动摇变节,提高对敌斗争的勇气,树立必胜信念。
  (三)积极会同地方党组织、政权机关、群众团体及地方文化机关,宣传共产党的政策和主张,解释抗战法令,推行民主政治;向敌占区人民宣传根据地的一切善政和进步设施。
  (四)提倡科学,宣扬真理,反对愚昧无知、迷信落后,加强马列主义的宣传。这不管对人民群众或部队,都是同等重要的。尤其需要加强部队的文化科学知识的学习,使科学为指战员所掌握,创造现代化的正规兵团。
  (五)与人民打成一片,同人民建立血肉不可分离的关系。要了解人民大众的问题,并帮助他们解决这些问题;要帮助地方文化教育工作的推行;要启发指战员对文化宣传工作的热忱,使其成为新民主主义的宣传者与组织者;宣传教育部门应协同统战部门,进行文化统一战线工作。
  (六)必须用一切办法和尽一切可能供给友军以文化食粮即书报和宣传品,考究输送的技巧。设法组织互相参观互相观摩,融洽与友军的感情,扩大交朋友工作。
  (七)大大地加强对外宣传工作。要通过文艺作品、报告文学、新闻通讯、摄影、绘画等,把我们真实的战斗生活反映到国际上去,流传到华侨中去,传播到大后方去。抗战以来,由于部队文化工作者的努力,使部队的政治文化水平向上提高了一步,也为文化艺术工作奠定了初步的基础。但是,在进行中尚有不足的地方,这是在工作发展中所难免的。发现缺点是改进的开端。这些缺点表现为:
  (一)“既少作高深的研究,又未深入群众底层”,《新华日报》华北版五月三日社论中的这两句话,正是我们文化工作缺点之写照。我们文化工作在高深的研究上是很不够的,但在深入底层,为大众所接受所把握这方面,又何尝够了呢?这具体表现在对人民群众的文化宣传工作的薄弱,以及连队救亡室工作和文化娱乐活动的死气沉沉。这是每个文化工作者都应注意的。我们要求把普及与深造结合起来。
  (二)宣传内容不善于迅速地反映和宣传某一个紧急任务,不善于很及时地批驳敌人。比如演戏,一般是反映过去的事,这就不能使我们的文化宣传工作与当前形势配合起来,成为打击敌人的有力武器。为了及时,虽然我们有的作品在某些地方难免有些粗糙,但在宣传效果上来说是有意义的。
  (三)某些作品缺乏丰满的现实内容和生动的艺术性,缺乏强烈的政治性,有的甚至与政治原则还有抵触之处,起了不好的作用。宣传形式不够大众化,往往不为群众所熟悉所喜闻乐见,也不善于多方面地多样地表现政治内容,有时在表现急遽多变的现实上显得无能。在形式的发展上应有两方面,一方面是向比较复杂的高级的形式发展,另一方面则应向比较简单的普及的形式发展。采用旧形式反映新内容的方法也是必要的,因旧形式在民间具有根深蒂固的潜势力,深为群众所喜爱,且其本身亦有可利用的价值。但采用旧形式必须以表现现实内容为主,方法则应是批判的有选择的利用。
  (四)对文化工作者的创造性发挥得不够,同时对后起的文化工作者的培养工作也做得不够,致使今天部队有文化干部荒的现象,使连队文化宣传工作受到影响。
  (五)对外宣传工作显得极微弱,“打哑巴仗”的现象严重存在,经常用各种方法对外宣传我们的战斗生活大为不够。我们虽设有随军记者,但由于大部分记者兼管编辑,以致影响了新闻采访工作。政治机关对此项工作具体指导不够,也是对外宣传工作削弱的一个原因。今后随军记者、旅的文艺组及政治机关,应加紧弥补对外宣传工作的缺陷,全师同志都应一致为加强这项工作而努力。
  造成这些缺点的原因主要是:各级政治机关对文化工作的重要性及其特点认识得不够,对文化工作的指导做得不充分。某些地方对文化工作者的工作条件注意得不够,没有充分发挥他们的才能。吸收知识分子的工作也做得不够。文化工作者不够群众化,尚缺乏部队工作和群众工作的经验,致使文化工作被限制于狭隘的范围中,不能为大众所掌握。
  今后部队文化工作应该怎样做?我没有很好地研究,只提几点意见:
  (一)要同一切轻视文化工作的倾向作斗争,并应克服文化工作不大众化的现象。要经常鼓励文化工作者的工作热忱,大大发挥他们的积极性和创造性,使文化运动普及到连队中去,深入到群众中去,真正做到大众化。
  (二)要造就大批的青年文化工作者,同时要提高原有文化工作者的素养。加强他们在文艺方面的修养和政治学习,给以必需的可能的工作条件,帮助他们渗透到现实的底层里去,更充分地发挥其才干,使他们能够真正担负起部队文化运动的组织和领导工作。
  (三)文化工作者要不断增强自己在政治、文艺方面的修养和实际工作的锻炼,以提高自己,充实自己。应深切了解:只有提高政治素养,才能提高对文化工作的积极性与创造性,只有具有强烈的政治性和丰满的现实性之艺术品,才能有高度的艺术价值。作品要反映部队和根据地的现实,适合于现实的需要,就要既提高创作水准,又深入大众。提高自己,向大众普及文化,需要政治与文化的密切结合。
  (四)文化工作者要具有虚心学习、认真探讨的态度。要将自己的作品就教于大众,倾听大众的意见。现实是一天天发展的。为了更有效地开展工作,学习是绝对不能少的,而要想学到一些东西,就要虚心,不虚心的人是会一无所成的。互相探讨是集思广益的好办法,一个作品经过大家研究和讨论,是会更臻完善、收效更大和不易发生毛病的。能接受别人意见,才能使自己进步。我们现有的文化工作者,一般说工作还仅仅入门,只有虚心学习,将来才会有伟大的成就。
  三、关于宣传队工作。
  宣传队是部队文化工作的基本队伍。努力提高自己,努力追求深造,努力做文化普及工作,都是万分必要的。要使宣传员成为文化教育的得力干部,使宣传队成为新民主主义革命的先锋军。
  宣传队是培养干部的学校。不仅要培养文化工作的干部,还要培养政治工作的干部。在调动或提升宣传队的干部时,领导机关要照顾到宣传队的工作,切忌调之一空。宣传队的负责同志也要舍得让干部出去发展。总之,大家都要从大局着眼。
  今后,宣传队在政治机关的宣传教育部门领导下要完成以下任务:
  (一)组织部队的文化娱乐工作,帮助政治机关检查连队政治工作,帮助宣传教育部门检查连队宣教工作。要面向连队,深入连队,了解连队,加强实际工作的锻炼。
  (二)要进行战时宣传鼓动工作,在任何情况下都应不间断地进行宣传鼓动工作。
  (三)要推动并帮助连队不间断地进行对群众的宣传鼓动工作。
  (四)要与地方文化工作者、小学教员等取得密切联系,建立广泛的文化统一战线,推动与帮助地方的文化运动。
  (五)要努力学习,提高政治文化水准,提高工作技能,不断增进新的知识。
 
i faint the third time
 
QUOTE(kennylee @ 2005年06月02日 Thursday, 12:54 AM)
i faint the third time
[snapback]377609[/snapback]​


I have a suggestion to "Kenny boy". In stead of keep fainting for the rest of the chapters, can you read out loud at least once whenever Professor DBLOVER posts the following chatpers, careless what does it mean. I know you have a lot of time to kill although you are almost at the high school final exams.
 
i faint because i have finished the reading and still don' know what it mean....

too hard for me ..
 
I just suggested you to read out loud. You don't need understand the meaning while you are reading. Actually, there is a Chinese version below that. You can always find out the meaning later.
 
it will be a hard jod......


maybe i'll try when i'm free

3Q 4 your advise
 
I found that you were always free. That's why I made this suggestion to you. Maybe you were already well prepared for your senior High School Final Exams, and you are pretty sure that you can get into your ideal university. As you know, it's count down time for the exams. You should work harder in these few days and prove yourself you can DO IT !
 
High School Final Exams is not prepared in these few days but these years,
so i......
 
So you are confident you can do WELL on the exams.。So you don't need to worry about them。So you just sit back and relax for these few days right?
 
yes
clever,man~hehe~
 

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